In her artistic practice and research Diana explores feminist approaches to knowledge creation, the potential of poetic machines, and the continued validity of traditions in an era of artificial intelligence and digital colonisation.

As the artistic director of REPLICA she imagines the dance-theatre of the future – playful, subversive, underpinned by new technologies – a laboratory for human and non-human actors negotiating agency, generating new aesthetics and narratives.

In 2019-2020 Diana and REPLICA received a VolkswagenStiftung planning grant for the project The Shape of Things to Come.
Dancing at the Edge of the World is a performance piece and artistic research, developed in 2020 as the final part of this project, during an artistic residency at Berlin Open Lab.

A work-in-progress showing of the piece will be livestreamed online, on the 18th of March, 18:00 with the kind support of the Hybrid Platform. The link for the online stream will be announced here.